108 file audio bebas royalti untuk "Root Position"

Modern roots reggae 13 078 gbmin samples.

Modern roots reggae 13 078 gbmin samples.

Modern roots reggae 13 078 gbmin samples.

Modern roots reggae 13 078 gbmin samples.

Modern roots reggae 13 078 gbmin samples.

Modern roots reggae 13 078 gbmin samples.

Modern roots reggae 13 078 gbmin samples.

Modern roots reggae 13 078 gbmin samples.

Modern roots reggae 13 078 gbmin samples.

Modern roots reggae 13 078 gbmin samples.

Modern roots reggae 13 078 gbmin samples.

Modern roots reggae 13 078 gbmin samples.

Modern roots reggae 13 078 gbmin samples.

Modern roots reggae 13 078 gbmin samples.

Modern roots reggae 13 078 gbmin samples.

Modern roots reggae 13 078 gbmin samples.

Modern roots reggae 13 078 gbmin samples.

Modern roots reggae 13 078 gbmin samples.

Modern roots reggae 13 078 gbmin samples.

Modern roots reggae 13 078 gbmin samples.

Modern roots reggae 13 078 gbmin samples.

Modern roots reggae 13 078 gbmin samples.

Modern roots reggae 13 078 gbmin samples.

Modern roots reggae 13 078 gbmin samples.

Modern roots reggae 13 078 gbmin samples.

Modern roots reggae 13 078 gbmin samples.

Modern roots reggae 13 078 gbmin samples.

Modern roots reggae 13 078 gbmin samples.

Modern roots reggae 13 078 gbmin samples.

Modern roots reggae 13 078 gbmin samples.

Modern roots reggae 13 078 gbmin samples.

Modern roots reggae 13 078 gbmin samples.

Modern roots reggae 14 090 bmin a samples.

Trash drumming at sark roots permaculture festival 2016. Recording of a set of interesting recycled objects mounted on scaffolding in the middle of the festival site. Recorded whilst festival was in full swing around the wildly improvising (mostly) amateur drummers on saturday night. Recorded with a tascam dr-40 portable recorder. Processing: eq, c6 multi-band compression and l3 multi-band limiting.

Digging up some grass and dirt with a small shovel. Thudding and tearing grass roots sounds. Recorded with a zoom h1, no editing applied. Created specifically for https://www. Youtube. Com/watch?v=gfkq9u3ncse 1:50, but cc0 for you all :).

Roots reggae beat ! edited with fl studio 11enjoys :).

Just in case someone needs some weird dirty talk.

This is a sound effect of a plant being grabbed and pulled up out of the ground. It's really quiet (and you may need to be amplified, depending on what you're using it for). It also has some snapping sound from the roots being pulled from the ground. Have fun! ;). P. S. I request that all my sound effects only be used for clean, appropriate media and projects. Thanks!.

A basic hardstyle kick i put together. It's in the key of b#.

Major triad on C: C E G. In root position, 1st inversion, 2nd inversion, then at the octave in root position.

Root position triads from C major scale.

Dominant seventh chord on G: G B D F. In root position, 1st inversion, 2nd inversion, and third inversion, then at the octave in root position.

This is a combination of a bunch of sounds to create a very close feeling digging and tearing through earth sound. Thick roots being torn, low rumble, a lot of layers. Used for a video of hands moving through dirt, digging, forming, etc.

Major triad on F in root position. Created by Hyacinth (talk) using Sibelius 5.

It stimulates the creative mind.

Passamezzo moderno/"Gregory Walker" chord progression in C major, beginning with tonic chord in root position and continuing using minimal-change and "closest-packing" rules (minimizing each voice's change from previous note and keeping each chord's notes as close to each other as possible; resulting order of inversions is root-second-root-first/root-second-root-first-root)

C major triads played on piano: 1) root position, 2) first inversion, 3) second inversion

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).